Go after a “big fish” yet still live/die with Marcos’
democracy,
That’d be like keeping the Philippines in touch with the world
banks
Now, as then, and well into the greyest future: no hope, no
further hope?
There are our “progressive” telecommunications companies
praying a
Late Hail Mary from a diaspora. But you know the
plutocracy,
Right? The statesmen-merchants for leaders keeping the
Philippines
In touch with the aid, and then Vatican? What banks? What
touch? And
What’s the point of all this fasting for mother Earth? Nah—
indiscriminate
Logging, mining, labor exploitation, manufacture of poverty,
now the
Eternal clichés, . . . so let them reign forever, let them end her
like used-up
Sand mines at a bitch beach. And let us ourselves rot for now,
go and bleed
Fear. Like, sure, okay, let help stalk the provinces while being
wary of the
Red-baiting as you hop from station to station, slowly onto a
platform of
Another perpetual agony that we can again exchange jokes
over, talking
About the horror of ghost roads, the ultimate political and
economic joys
We all are familiar with, can relate to, through the Marcoses
in us and
With us, US, China, forever flaunting telecommunion lines
direct to
Our religious palaces, part of the rest of their providential
world—
Mythological America, God-building China, in whom our
palaces trust
Their profits (dangerous though a superpower might be
should it lose
Its G8+5 seat). Then, for a long time to come, let’s push our
women to
Look up to Mammon’s priests circling the scraped skies with
blade-carrying
Penises, like eagles from a monastery, laugh against Marxist
productions
Of judgments now on trial, oh crucified like a suspected
liberation
Theologian, gone after, their/our big fish of neoliberal poetic
justice as
Juried by erring militarized personnel who shall inherit forests
and beaches
As their temporary heaven, until we, the resilient, learn to
gush out:
Like water, flood their “I have the floor”s with an undeniable
change of climate.
—1999-2007
—*This alludes to martial artist and film icon Bruce Lee’s statements describing the fluidity of his Wing Chun-inspired kung fu style, jeet kune do, and philosophical approach. Wing Chun would usually simply mean extreme subtlety in approach, as in embracing the grace of the Yin to service the Yang strength of attack. Jackie Chan’s “drunken snake style” can be considered another development from this style.
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